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Artistic representation can be broken down further into two categories: naturalism and illusionism. Naturalism, with the keyword "natural," is the discipline associated with reproducing objects as they appear to the eye of the artist, or to the viewer. The intention is to produce artwork that appears realistic or natural. Illusionism, with the keyword "illusion," is similar to naturalism with the exception that the artist’s intention is to convince the observer that the artwork’s subject matter is actually real.
IN CONTEXT
Take a look at the following examples of naturalism and illusionism. Notice the similarities and differences.
First is a painting by William Bliss Baker, titled Fallen Monarchs. This is an excellent example of naturalism and how it realistically depicts its subject matter. It almost looks like a photograph.
The next image, an example of illusionism, is of the ceiling fresco of the Jesuit Church in Vienna, Austria. It is rendered in a technique called trompe l'oeil, which depicts realistic imagery in such a way that an optical illusion is created, suggesting the images are three dimensional. In this example, as realistic as it looks, this ceiling has no dome. It’s flat.
The painting below, titled Escaping Criticism, uses the same technique, trompe l'oeil, and is another example of illusionism.
Representation has an element of congruity with real life. The depictions are recognizable by almost anyone in more or less faithful reproductions of what can be seen or experienced. In contrast, abstraction is an art style that emphasizes the simplification of form into shapes, lines, and areas of color. Abstraction begins to veer away from the literal representation of things, which can give the artist tremendous freedom in depicting the intangible. Take, for instance, emotions or music. These are both intangible, yet artists are able to use both of these to create artwork.
IN CONTEXT
Take a look at the following examples of representation and abstraction. Note the similarities and differences.
First is an Egyptian bust of the Queen Nefertiti. Clearly, this is a realistic representation of what she looked like.
The second is a painting by a 20th century artist, Wassily Kandinsky. It is left to the viewer to draw their own conclusions or interpretations about the subject matter. Kandinsky was also a musician, and he often experienced or experimented with the visualization of music.
Complete abstraction relies on the use of purely geometric and biomorphic shapes as a means of rendering any discernible form. Geometric shapes are your basic hard-edged shapes, such as circles and squares, whereas biomorphism, which uses biomorphic shapes, refers to amorphic shapes, or no named shapes. These are shapes that resemble simple life forms, such as amoebas or bacteria.
Gestural abstraction, or action painting, is an art form where the paint is applied in a spontaneous manner. Just like gestural lines, action paintings are characterized by the way in which the medium, in this case paint, is applied. The forms may not be recognizable, but that doesn’t mean there isn’t a structure to the composition.
IN CONTEXT
The De Stijl movement was an artistic movement of the early 20th century that depicted complete abstraction where artists only utilized very basic geometric shapes and primary colors in their works of art. Joan Miró is an artist who had a well-known appreciation for the artwork of children. He felt this type of artwork had a very pure form of artistic expression, and this was something he emulated during his career. Miró is one the best examples of an artist using biomorphic shapes in artwork.
Below is an oil painting by the official founder of the De Stijl movement, Theo van Doesburg, and it’s titled Composition Number V.
Source: THIS TUTORIAL WAS AUTHORED BY IAN MCCONNELL FOR SOPHIA LEARNING. Please see our Terms of Use.