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The artwork that you will be looking at today dates from between 1872 and 1898 and focuses geographically on Paris, France.
Interestingly enough, the term “Impressionism” was first used as an insult from an art critic based on the unfinished appearance and obvious brush strokes of the painting. Rather than take offense, Impressionists, such as Monet, embraced the term and adopted it as the official label for their style of art.
Impressionism wasn’t particularly popular among Traditionalists and Academics in the art world. Since they were banned from the Salon, which was the official exhibition hall of the Academy, Impressionists opened their own salon in order to exhibit their artwork. They called it the Salon des Refusés, or “Exhibition of the Rejects.”
Impressionism as a style consists of:
This first image is of a landmark painting. It’s the first example of Impressionist artwork and serves to embody the overall style of Impressionism. It’s a simple picture depicting a fleeting moment—the sunrise over the water with some fishing boats passing by.
Notice the obvious brush strokes. Unlike Academic artists, Monet makes no effort at all to hide them; they’re an essential part of the painting. The painting is very much like an oil sketch and approached the same way as one would a sketch. It’s an exercise in brevity, capturing a moment in time.
This next image depicts a scene of urbanism, capturing a fleeting moment of city life. Monet’s work, and the work of other Impressionists, provide an experience that photography would later take over.
St. Lazare reflects increasing urbanization in Paris in the late 19th century. This painting isn’t a carefully arranged composition—Monet is at the mercy of the elements in front of him. Perhaps this lack of control makes examples such as this seem more natural or “real,” despite the painterly execution of the image. A depiction of truth is woven within the spontaneity of the moment rather than in the way the figures are rendered.
This next image, once again, is an example of an artist depicting a scene of urbanism or capturing a fleeting moment of city life. It’s a moment captured that could never be repeated again, which makes the subject matter even more unique in this painting of Paris.
Notice the key elements of Impressionism that present themselves in the painting:
In this work by Camille Pissarro, “La Place du Théâtre Français,” you can get an impression of width. It’s also notable for its interesting perspective: you’re looking down at an angle rather than from the ground. You get the sense, as the viewer, of sitting by a window looking at the hustle and bustle of Parisienne life below.
Haussmann’s project may have been controversial, but it’s difficult to find fault with the result as it’s depicted here. The streets are teeming with activity. Paris was moving from indoors to the outdoors. The Haussmannization of Paris provided space for Parisians to get in touch with their city, and the visionary project helped transform Paris into one of the most important cities of culture for decades to come.
The painting of “Le Moulin de la Galette,” by Renoir, epitomizes his desire to display joy and beauty in his artwork. It’s a happy image of average people enjoying each other’s company in the outdoors of Paris. Renoir captures the levity of the moment on the faces of the people in the painting and the movements of the dancers in the middle ground.
This painting also serves as an example of the Impressionists’ ability to capture the light at a certain time of day. Notice the spots of color, which suggest the light as it’s filtered through what is likely the leaves of a tree standing outside the borders of the painting. Impressionism is a style of painting that allowed the artist to genuinely capture and depict the human condition.
Source: This work is adapted from Sophia authors Ian McConnell and Aleisha Olson.