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The photography explored in this lesson dates from between 1907 and 1942, as highlighted in the timeline below. You will learn about photography from various geographic locations, including:
In a previous lesson on 19th-century photography, you learned that photographers developed a style of photography called pictorials. This style imitated the style of prints and paintings in an attempt to have photography considered a true art form. Alfred Stieglitz was part of this movement, and he devoted his life to promoting photography as an art form. In the process, he established a group known as the Photo-Secession as well as a journal known as Camera Work.
During the 20th century, there was a movement to promote the photograph as its own art form. In other words, there was no longer an attempt to imitate prints or paintings. Photographers captured their subjects in staged occasions known as photo sessions.
One of the first examples of this is Stieglitz's photograph, The Steerage, which artistically frames an image of people in the steerage section, or the lower levels, of a passenger ship. This is an important image, marking the shift from Pictorialism to the acceptance of photography as an independent art form gaining significant traction within the art community.
EXAMPLE
Below is this photograph, titled “The Steerage.”A movement completely opposed to Pictorialism developed early in the 20th century called straight photography. It was largely promoted by a photographer named Paul Strand, who was inspired by Cubism and took ordinary objects and made them appear abstract through cropping. Cropping is essentially cutting off portions of the picture. Strand displayed his work within Stieglitz’s journal Camera Work, which was portraying more and more examples of modern photography.
Straight photography departed from the pictorialist emphasis on assembling a composition and instead kept images largely unaltered by relying on photographic technique. The work of Edward Weston is a great example of this in how he chose subjects, such as food, nudes, seashells, and other familiar objects, and photographed them in a way that made them appear abstract.
EXAMPLE
Below is an example of photography, Pepper No. 30, by Edward Weston.Weston and photographers Imogen Cunningham and Ansel Adams were members of a group called f/64, which promoted straight photography over Pictorialism. It involved the unique aspect of western American themes.
EXAMPLE
One of the first examples is Cunningham’s “Succulent” photo.Likely the most famous photographer to emerge from this group is Ansel Adams.
Take a look below at an image of Hudson River School from the 19th century.
Adams’s photographs of the majestic beauty in unadulterated nature brought awareness to the American public of the breathtaking grandeur of the American landscape. His work remains closely associated with the environmental group The Sierra Club, who successfully lobbied for the preservation of millions of acres of the American wilderness, thanks in part to the photography of Ansel Adams.
Source: THIS WORK IS ADAPTED FROM SOPHIA AUTHOR IAN MCCONNELL.